Hannah Reid leaves out the last line in Chris Isaac's original, which is great, because it chilled me to the bone when I heard it the first time.
This is just stunning. The full first half of the song is unaccompanied, and it feels like a Negro spiritual.
And imagine what kind of synthesizer controls you could design with it.
This is just stunning. The full first half of the song is unaccompanied, and it feels like a Negro spiritual.
This song is also beautiful too, and the lighting is a work of genius. Imagine what sort of lighting that designer could produce using a live performance control system based on something like this Tilt Five AR Holographic Display
And imagine what kind of synthesizer controls you could design with it.
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